(Vimeo: "Meyerhold, Theatre, and the Russian Avant-Garde")
Lots of varying styles aesthetics in late 1800s
Naturalism (continued)
- Harley Granville Barker
- Midsummer design in Savoy, 1914
- not realistic; draping fabric
- Everyman- famous morality play from Medieval times
- Poel as God in Everyman
- Beerbohm Tree's Midsummer
- Realistic; famous for live rabbits
- Alfred Jarry- Ubu Roi
- very controversial play
- originally created to be crazy puppet version of Macbeth
- Theatre l'Oeuvre (Theatre of the Work)
- Benjamin Franklin Wedekind
- scenes of realism then sudden expressionistic scenes
- Pic: University of Waterloo's "Spring Awakening"
- Wedekind's "Lulu"
University of Waterloo's Spring Awakening |
- Max Reinhardt
- spectacles
- outdoor extravaganza
- Everyman, Midsummer, The Miracle
- would transform Broadway theatres
- Master of Regiebuch
- or, the Promptbook
- wrote down everything he did
- Meyerhold- a great Russian director
- split in Russian theatre between Stanislovski and Meyerhold
- arrested and "purged" in 1920s
- "The Dawns", 1920
- style of acting: Biomechanics
- physical shape and movement; kinetic approach
- constructivism - like arts and crafts projects (looked like machines)
- "The Magnificent Cuckoo"
- like an Erector set
Meyerhold |
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Non-Realistic Designers
(beginnings of modern theatre design)
scenography- everything of design work is under 1 person
- Adolphe Appia
- "Parcifal"
- think of space as environment; lighting creates its own language- a kinetic environment and special rhythm
- "Tristan and Isolde", 1896
- "rhythmic spaces"
- Gordon Craig
- Book: "The Art of the Theatre"
- Macbeth, "Scene", Hamlet
- Abstract design
- Ubermarionettes
- also, could use a monochromatic surface for projecting images or shadows
- Robert Edmund Jones, 1887-1954
- "The Dramatic Imagination"
- Macbeth
- Father of American Design
- revolution against realism in scenic design
Ghost Shows: Fantasmagoria & Fantascopes
-create ghosts with projectors
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